25 Albums, Bands, Exhibits, And Other Such Ephemera That Meant Something To Me In 2011

 I feel like I experienced music differently in 2011. When music journalism is your 9-to-5 job, there has to be balance: What is for work and what is for myself? I still haven’t quite figured that distinction out, yet (and it’s been 13 years since I started writing about music), but what the following 25 albums, songs, bands, exhibits and more abstract music experiences (movie scenes, light installations) have in common is that they all meant something to me. And that’s the undefinable thing about music, yeah? This isn’t a profound realization, especially since the primary qualifiable thing about music (meaning) is completely intangible. But on some level and, I suppose, with some age, the parts of music that give meaning to me are starting to come together.

Some of the blurbs after the jump have previously appeared at NPR Music for my best metal and best outer sound year-end lists, and some of the text has been snatched from other write-ups, but more than half of it is new and completely unedited.

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Julia Holter’s Tragedy was one of my late-year discoveries, something I’m still wrapping my head around. Well, of course, she’s already got a new album in the hopper called Ekstasis due out in March 2012 on RVNG Intl., which is quickly becoming the go-to electronic label for straight-ahead and experimental electronic music. “Marienbad” is some sort of Pet Sounds-on-Joe-Meek pop song and it’s got me all kinds of excited.